Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Who's Copying Whom? (Long)


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Posted by Chuck(G) on June 17, 2003 at 13:15:49:

In Reply to: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Re: Who's Copying Whom? (Long) posted by Rick Denney on June 17, 2003 at 10:38:40:

Rick, you miss my point.

Yes, history's interesting and makes for interesting discussion (heck, I'm married to a history teacher), but it can be a pack of misconceptions and outright lies and often misses the mark.

By fostering the thinking that:

A Arnold Jacobs was a tuba player
B Arnold Jacobs owned a York
C Arnold Jacobs was a marvelous musician
D I am a tuba player
E I own a York
Therefore...(fill in the obvious blank)

We're doing ourselves a disservice by telling our young players "If you want to get anywhere, you have to have a York or York clone". Bill Bell's rotary King may have been something less than wonderful, but I've played a fixed-bell rotary King that was absolutely wonderful. (Didn't Ken Herrick post something about Jacobs and the rotary King some time ago?).

I'd be a lot happier if we spent more time on musicianship aspects than the hardware. Yeah, I enjoy tinkering with horns in my workshop, but 90% of the time I'm playing the same Eb tuba.

Forgive my ranting. I'll try to keep it to a minimum.




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